Here’s my new collection, Another Last Word, a chapbook published by The Red Ceilings Press. A limited edition of 40 numbered copies. Thanks to Mark Cobley.
‘I laughed out loud as well as now and then wincing. Individually they’re like when some cartoons become art, like ‘Lost Consonants’ in the Guardian, but they’re even more than that altogether, the way the poems work with each other. I could see you reading them in Dictionary Corner on Eight Out of Ten Cats Does Countdown, though you’d have to win X Factor first, to be invited on’ – Peter Sansom
Poems from the front line of a long-term relationship in and out of lockdown. A survival guide, perhaps. Featuring a walk in the rain, a bar of expensive chocolate, The Beatles Revolver, the Tai Chi sword form, a cucumber, a suitcase, revolving doors, War and Peace, poppadoms, wet lettuce and a box of new colouring pencils. Cliff Yates’s poems have sometimes featured dialogue; this collection consists almost entirely of dialogue. Fragmentary, Zen-like, cartoonesque, highly-wrought poems, where authorship is questioned and responsibility shared.
There are one or two places left on my workshop tomorrow morning in the Poetry Business Digital Workshops series. Here’s the blurb:
‘the shortest distance between two points is to be everywhere’ – Tom Raworth
One of the exciting things about poetry is that between the first and last line anything can happen. We will read stimulating poems and use various strategies to write our own. You will take away 4-5 first drafts and suggestions for further writing.
Great to have new work published on Anthropocene online poetry journal. Thanks to Charlie Baylis. It was satisfying, I have to say, to have Bob Dylan and the Screwfix catalogue appear in the one poem. ‘Fish Street’ is a companion poem to ‘Awareness Through Movement’ which appeared a while ago on Litter magazine, edited by Alan Baker. Both poems are set in St Ives. ‘Psychology’ is the first poem to be published in an ongoing sequence.